148 bars of 4/4 at 140 BPM, about 4:14 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22, 26 and 28, and 20 more places -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 108, 109, 110, 111, 112, 124 and 5 more.
1 more fill is written out on the fills page.
148 bars across 13 sections: 114 keep time, 11 are fills and 5 are silent. The longest unbroken stretch of time is bars 75-98.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
148 bars, about 4:14 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 108, 109, 110, 111, 112, 124 and 5 more.