87 bars of 4/4 at a walking 98 BPM, 3:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7, 10-14 and 21-22, and 3 more places -- 25.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 27 times: bars 19, 20, 26, 28, 40, 47 and 21 more.
3 more fills are written out on the fills page.
87 bars across 9 sections: 38 keep time, 27 are fills, 7 are stops and 6 are silent. The longest unbroken stretch of time is bars 29-38.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
87 bars, about 3:33 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 27 times: bars 19, 20, 26, 28, 40, 47 and 21 more.