194 bars at 170 BPM -- fast, and 4:34 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 20-28, 76-84 and 132-133, and 1 more place -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 8 times: bars 2, 19, 31, 75, 87, 131 and 2 more.
194 bars across 19 sections: 161 keep time, 8 are fills and 1 is silent. The longest unbroken stretch of time is bars 168-194.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
194 bars, about 4:34 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 2, 19, 31, 75, 87, 131 and 2 more.