124 bars of 4/4 at a walking 100 BPM, 4:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-12, 25 and 27, and 30 more places -- 33.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 22 times: bars 36, 38, 40, 56, 58, 60 and 16 more.
8 more fills are written out on the fills page.
124 bars across 5 sections: 95 keep time, 22 are fills and 1 is a stop. The longest unbroken stretch of time is bars 6-35.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
124 bars, about 4:59 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 22 times: bars 36, 38, 40, 56, 58, 60 and 16 more.