79 bars of 4/4 at a walking 95 BPM, 3:20 of playing, on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25, 27 and 29, and 8 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 8, 15, 16, 20, 24, 36 and 5 more.
3 more fills are written out on the fills page.
79 bars across 8 sections: 55 keep time, 12 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-7.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
79 bars, about 3:20 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 8, 15, 16, 20, 24, 36 and 5 more.