113 bars of 4/4 at 114 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-17 -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 21, 27, 47, 55, 95, 97 and 7 more.
4 more fills are written out on the fills page.
113 bars across 18 sections: 74 keep time, 13 are fills and 14 are silent. The longest unbroken stretch of time is bars 2-17.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
113 bars, about 3:58 at the written tempo. The course breaks it into 47 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 21, 27, 47, 55, 95, 97 and 7 more.