120 bars at 182 BPM -- fast, and 2:38 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17-19, and 7 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 16 times: bars 8, 12, 16, 20, 32, 50 and 10 more.
5 more fills are written out on the fills page.
129 bars across 11 sections: 78 keep time, 16 are fills, 9 are stops and 14 are silent. The longest unbroken stretch of time is bars 93-101.
182 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
120 bars, about 2:38 at the written tempo. The course breaks it into 45 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 8, 12, 16, 20, 32, 50 and 10 more.