112 bars of 3/4 -- not four -- at 150 BPM, 2:16 of playing on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 33-34, 37 and 45, and 4 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 20 times: bars 36, 38, 44, 46, 48, 49 and 14 more.
7 more fills are written out on the fills page.
112 bars across 10 sections: 49 keep time, 20 are fills, 2 are stops and 32 are silent. The longest unbroken stretch of time is bars 80-86.
150 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 86 out of 100; the rest of the number is everything around it.
112 bars, about 2:16 at the written tempo. The course breaks it into 32 exercises over 13 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 36, 38, 44, 46, 48, 49 and 14 more.