144 bars of 4/4 at a walking 98 BPM, 5:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-14, 17-18 and 21-22, and 5 more places -- 11.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 19 times: bars 1, 2, 16, 20, 24, 30 and 13 more.
5 more fills are written out on the fills page.
144 bars across 14 sections: 99 keep time, 21 are fills and 1 is a stop. The longest unbroken stretch of time is bars 50-61.
98 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
97 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 75 out of 100; the rest of the number is everything around it.
144 bars, about 5:39 at the written tempo. The course breaks it into 53 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 1, 2, 16, 20, 24, 30 and 13 more.