114 bars of 4/4 at a walking 90 BPM, 5:01 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 4, 12-13 and 20, and 34 more places -- 34.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 18 times: bars 11, 27, 35, 51, 59, 63 and 12 more.
7 more fills are written out on the fills page.
114 bars across 10 sections: 81 keep time, 19 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 13-23.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
114 bars, about 5:01 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 18 times: bars 11, 27, 35, 51, 59, 63 and 12 more.