52 bars of 4/4 at 150 BPM, about 1:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 21, 23-24 and 35-37, and 1 more place -- 16.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 2, 3, 4, 12, 29, 30 and 6 more.
3 more fills are written out on the fills page.
52 bars across 9 sections: 28 keep time, 12 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 13-19.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
52 bars, about 1:23 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 2, 3, 4, 12, 29, 30 and 6 more.