101 bars of 4/4 at a walking 85 BPM, 4:20 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29, 31 and 33, and 5 more places -- 9.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 4 times: bars 70, 71, 72 and 73.
101 bars across 12 sections: 69 keep time, 4 are fills, 2 are stops and 14 are silent. The longest unbroken stretch of time is bars 26-43.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 74 out of 100; the rest of the number is everything around it.
101 bars, about 4:20 at the written tempo. The course breaks it into 32 exercises over 14 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 4 times: bars 70, 71, 72 and 73.