162 bars of 4/4 at 119 BPM, about 6:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 55, 61-66 and 68-70, and 6 more places -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 23 times: bars 32, 35, 58, 59, 67, 71 and 17 more.
6 more fills are written out on the fills page.
162 bars across 8 sections: 78 keep time, 23 are fills, 11 are stops and 43 are silent. The longest unbroken stretch of time is bars 40-54.
119 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
162 bars, about 6:56 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 23 times: bars 32, 35, 58, 59, 67, 71 and 17 more.