500 bars of 6/4 -- not four -- at 86 BPM, 30:57 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7, 9 and 11-15, and 36 more places -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 70 times: bars 5, 6, 8, 16, 22, 26 and 64 more.
20 more fills are written out on the fills page.
500 bars across 16 sections: 200 keep time, 70 are fills, 43 are stops and 173 are silent. The longest unbroken stretch of time is bars 196-215.
86 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
500 bars, about 30:57 at the written tempo. The course breaks it into 72 exercises over 16 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 70 times: bars 5, 6, 8, 16, 22, 26 and 64 more.