85 bars of 4/4 at a walking 102 BPM, 3:20 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-21, 30-37 and 45-49, and 1 more place -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 7 times: bars 5, 25, 29, 41, 53, 81 and 1 more.
85 bars across 14 sections: 63 keep time, 7 are fills and 4 are silent. The longest unbroken stretch of time is bars 14-21.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
85 bars, about 3:20 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 5, 25, 29, 41, 53, 81 and 1 more.