112 bars of 4/4 at 140 BPM, about 3:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-29, 31-37 and 68-73 -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 13 times: bars 13, 14, 18, 38, 47, 48 and 7 more.
1 more fill is written out on the fills page.
112 bars across 11 sections: 85 keep time, 13 are fills and 6 are stops. The longest unbroken stretch of time is bars 24-37.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
112 bars, about 3:12 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 13, 14, 18, 38, 47, 48 and 7 more.