105 bars of 4/4 at 124 BPM, about 3:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 18-20, 22-24 and 26-28, and 7 more places -- 30.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 23 times: bars 2, 3, 21, 29, 33, 35 and 17 more.
8 more fills are written out on the fills page.
105 bars across 15 sections: 57 keep time, 23 are fills, 7 are stops and 7 are silent. The longest unbroken stretch of time is bars 22-28.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
105 bars, about 3:23 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 23 times: bars 2, 3, 21, 29, 33, 35 and 17 more.