98 bars of 4/4 at 128 BPM, about 3:04 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 4-5, 8-9 and 28-29, and 10 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 7 times: bars 2, 26, 42, 50, 54, 58 and 1 more.
98 bars across 13 sections: 44 keep time, 7 are fills, 28 are stops and 9 are silent. The longest unbroken stretch of time is bars 77-86.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
98 bars, about 3:04 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 2, 26, 42, 50, 54, 58 and 1 more.