142 bars, 11:10, at 53 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 9-15, 17-31 and 41-47, and 2 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
18 fills to learn, played 39 times: bars 16, 32, 34, 35, 36, 38 and 33 more.
14 more fills are written out on the fills page.
142 bars across 9 sections: 71 keep time, 39 are fills, 12 are stops and 13 are silent. The longest unbroken stretch of time is bars 17-31.
53 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
142 bars, about 11:10 at the written tempo. The course breaks it into 41 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 39 times: bars 16, 32, 34, 35, 36, 38 and 33 more.