88 bars of 4/4 at 115 BPM, about 3:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3-18 and 31-38 -- 29.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 10 times: bars 24, 44, 48, 71, 72, 76 and 4 more.
2 more fills are written out on the fills page.
88 bars across 12 sections: 58 keep time, 10 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 3-18.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
88 bars, about 3:04 at the written tempo. The course breaks it into 28 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 24, 44, 48, 71, 72, 76 and 4 more.