93 bars of 4/4 at 117 BPM, about 3:20 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-11, 29-35 and 57-63, and 1 more place -- 33.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 19 times: bars 4, 12, 20, 21, 22, 23 and 13 more.
5 more fills are written out on the fills page.
93 bars across 13 sections: 56 keep time, 19 are fills, 3 are stops and 10 are silent. The longest unbroken stretch of time is bars 65-72.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
93 bars, about 3:20 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 4, 12, 20, 21, 22, 23 and 13 more.