88 bars, 6:04, at 58 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 10, 33-34 and 63-87 -- 34.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 4 times: bars 6, 23, 28 and 32.
88 bars across 8 sections: 48 keep time, 4 are fills, 27 are stops and 6 are silent. The longest unbroken stretch of time is bars 63-87.
58 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
88 bars, about 6:04 at the written tempo. The course breaks it into 16 exercises over 6 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 6, 23, 28 and 32.