92 bars of 4/4 at a walking 90 BPM, 3:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 20-21, 26 and 73-74, and 2 more places -- 9.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 33 times: bars 16, 17, 18, 21, 22, 23 and 27 more.
8 more fills are written out on the fills page.
92 bars across 10 sections: 28 keep time, 33 are fills, 6 are stops and 15 are silent. The longest unbroken stretch of time is bars 86-91.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
92 bars, about 3:44 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 33 times: bars 16, 17, 18, 21, 22, 23 and 27 more.