36 bars of 4/4 at 120 BPM, about 1:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 24-26 and 28-31 -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 10, 11, 17, 21, 22, 23 and 3 more.
1 more fill is written out on the fills page.
36 bars across 4 sections: 19 keep time, 9 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 4-9.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
36 bars, about 1:20 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 10, 11, 17, 21, 22, 23 and 3 more.