206 bars of 4/4 at 128 BPM, about 6:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 15-16, 19-20 and 27-28, and 2 more places -- 5.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 49 times: bars 26, 45, 47, 48, 49, 51 and 43 more.
23 more fills are written out on the fills page.
206 bars across 24 sections: 97 keep time, 49 are fills, 15 are stops and 15 are silent. The longest unbroken stretch of time is bars 38-44.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
206 bars, about 6:26 at the written tempo. The course breaks it into 84 exercises over 26 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 49 times: bars 26, 45, 47, 48, 49, 51 and 43 more.