166 bars of 4/4 at 150 BPM, about 4:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 75-81, 83-89 and 133-139, and 2 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 72, 73, 74, 82, 104, 105 and 11 more.
3 more fills are written out on the fills page.
166 bars across 15 sections: 126 keep time and 17 are fills. The longest unbroken stretch of time is bars 1-15.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
166 bars, about 4:26 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 72, 73, 74, 82, 104, 105 and 11 more.