55 bars of 4/4 at a walking 88 BPM, 2:30 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 5 more places -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 17 times: bars 5, 9, 15, 17, 19, 20 and 11 more.
7 more fills are written out on the fills page.
55 bars across 5 sections: 19 keep time, 17 are fills, 7 are stops and 10 are silent. The longest unbroken stretch of time is bars 30-34.
88 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
55 bars, about 2:30 at the written tempo. The course breaks it into 21 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 17 times: bars 5, 9, 15, 17, 19, 20 and 11 more.