123 bars of 4/4 at 130 BPM, about 3:47 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7, 9 and 11, and 32 more places -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 7 times: bars 52, 53, 61, 69, 77, 85 and 1 more.
123 bars across 6 sections: 51 keep time, 7 are fills, 46 are stops and 17 are silent. The longest unbroken stretch of time is bars 108-123.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
123 bars, about 3:47 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 52, 53, 61, 69, 77, 85 and 1 more.