110 bars of 5/4 -- not four -- at 100 BPM, 5:17 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 6 and 8-16 -- 10.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 31 times: bars 4, 25, 45, 46, 47, 48 and 25 more.
1 more fill is written out on the fills page.
110 bars across 7 sections: 52 keep time, 31 are fills, 2 are stops and 18 are silent. The longest unbroken stretch of time is bars 27-42.
100 BPM, in 5/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 42 out of 100; the rest of the number is everything around it.
110 bars, about 5:17 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 31 times: bars 4, 25, 45, 46, 47, 48 and 25 more.