29 bars of 4/4 at a walking 100 BPM, 1:07 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 16-19 and 29 -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 5 times: bars 11, 25, 26, 27 and 28.
29 bars across 4 sections: 15 keep time, 5 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 5-10.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
29 bars, about 1:07 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 5 times: bars 11, 25, 26, 27 and 28.