155 bars of 4/4 at 140 BPM, about 4:26 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26, 28 and 30-32, and 14 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 19 times: bars 24, 48, 56, 80, 88, 92 and 13 more.
6 more fills are written out on the fills page.
155 bars across 8 sections: 124 keep time, 19 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-23.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
155 bars, about 4:26 at the written tempo. The course breaks it into 44 exercises over 14 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 24, 48, 56, 80, 88, 92 and 13 more.