105 bars of 4/4 at 138 BPM, about 3:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-16, 18-24 and 36-41, and 2 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 20 times: bars 1, 17, 25, 34, 35, 42 and 14 more.
5 more fills are written out on the fills page.
105 bars across 9 sections: 70 keep time, 20 are fills and 4 are stops. The longest unbroken stretch of time is bars 2-9.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
105 bars, about 3:03 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 20 times: bars 1, 17, 25, 34, 35, 42 and 14 more.