112 bars of 4/4 at a walking 92 BPM, 4:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-3, 5-7 and 27-29, and 1 more place -- 9.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 13 times: bars 26, 38, 43, 52, 63, 64 and 7 more.
6 more fills are written out on the fills page.
112 bars across 14 sections: 68 keep time, 13 are fills, 8 are stops and 7 are silent. The longest unbroken stretch of time is bars 1-14.
92 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
112 bars, about 4:47 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 13 times: bars 26, 38, 43, 52, 63, 64 and 7 more.