123 bars of 4/4 at 120 BPM, about 5:01 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 34-35, 37-38 and 40-41, and 7 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 8 times: bars 13, 14, 15, 16, 17, 18 and 2 more.
1 more fill is written out on the fills page.
137 bars across 4 sections: 66 keep time, 8 are fills, 2 are stops and 57 are silent. The longest unbroken stretch of time is bars 35-62.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 43 out of 100; the rest of the number is everything around it.
123 bars, about 5:01 at the written tempo. The course breaks it into 12 exercises over 5 sittings, about 20 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 8 times: bars 13, 14, 15, 16, 17, 18 and 2 more.