50 bars of 4/4 at 150 BPM, about 1:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-8 -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 5 times: bars 37, 38, 39, 48 and 49.
50 bars across 5 sections: 35 keep time, 5 are fills and 6 are silent. The longest unbroken stretch of time is bars 1-17.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 11 out of 100; the rest of the number is everything around it.
50 bars, about 1:20 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 37, 38, 39, 48 and 49.