124 bars of 4/4 at a walking 100 BPM, 4:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-7, 9-16 and 21-22, and 2 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 18 times: bars 8, 18, 25, 26, 27, 28 and 12 more.
5 more fills are written out on the fills page.
124 bars across 18 sections: 83 keep time, 18 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 102-120.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
124 bars, about 4:58 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 18 times: bars 8, 18, 25, 26, 27, 28 and 12 more.