150 bars at 170 BPM -- fast, and 3:31 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15, 36 and 42, and 9 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 39 times: bars 5, 9, 13, 20, 21, 29 and 33 more.
12 more fills are written out on the fills page.
150 bars across 19 sections: 76 keep time, 39 are fills, 3 are stops and 17 are silent. The longest unbroken stretch of time is bars 115-129.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
150 bars, about 3:31 at the written tempo. The course breaks it into 55 exercises over 14 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 39 times: bars 5, 9, 13, 20, 21, 29 and 33 more.