89 bars of 4/4 at a walking 78 BPM, 4:34 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25, 27 and 29, and 12 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 10 times: bars 12, 20, 32, 36, 44, 48 and 4 more.
6 more fills are written out on the fills page.
89 bars across 14 sections: 55 keep time, 10 are fills, 2 are stops and 8 are silent. The longest unbroken stretch of time is bars 4-11.
78 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
89 bars, about 4:34 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 10 times: bars 12, 20, 32, 36, 44, 48 and 4 more.