143 bars at 200 BPM -- fast, and 2:51 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19, 37-43 and 45-50, and 4 more places -- 20.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 20 times: bars 8, 12, 16, 20, 28, 32 and 14 more.
7 more fills are written out on the fills page.
143 bars across 16 sections: 54 keep time, 20 are fills, 43 are stops and 9 are silent. The longest unbroken stretch of time is bars 22-27.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 11 out of 100; the rest of the number is everything around it.
143 bars, about 2:51 at the written tempo. The course breaks it into 46 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 20 times: bars 8, 12, 16, 20, 28, 32 and 14 more.