147 bars of 4/4 at 125 BPM, about 4:42 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-21 -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 32 times: bars 22, 26, 30, 34, 38, 42 and 26 more.
6 more fills are written out on the fills page.
147 bars across 13 sections: 72 keep time, 34 are fills and 27 are stops. The longest unbroken stretch of time is bars 72-78.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
147 bars, about 4:42 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 32 times: bars 22, 26, 30, 34, 38, 42 and 26 more.