90 bars of 4/4 at a walking 103 BPM, 3:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-20 and 38-44 -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 26 times: bars 9, 11, 21, 25, 31, 33 and 20 more.
6 more fills are written out on the fills page.
90 bars across 11 sections: 45 keep time, 26 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 14-20.
103 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
90 bars, about 3:30 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 26 times: bars 9, 11, 21, 25, 31, 33 and 20 more.