145 bars of 4/4 at a walking 105 BPM, 5:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 39-44, 46-52 and 54, and 6 more places -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 14 times: bars 21, 105, 109, 113, 129, 133 and 8 more.
3 more fills are written out on the fills page.
145 bars across 11 sections: 109 keep time, 14 are fills, 3 are stops and 5 are silent. The longest unbroken stretch of time is bars 5-20.
105 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
94 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 85 out of 100; the rest of the number is everything around it.
145 bars, about 5:31 at the written tempo. The course breaks it into 32 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 21, 105, 109, 113, 129, 133 and 8 more.