165 bars of 4/4 at 140 BPM, about 4:43 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 61-62, 65-66 and 93-99, and 3 more places -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 60 times: bars 8, 12, 16, 20, 24, 26 and 54 more.
23 more fills are written out on the fills page.
165 bars across 13 sections: 69 keep time, 60 are fills, 3 are stops and 21 are silent. The longest unbroken stretch of time is bars 93-99.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
165 bars, about 4:43 at the written tempo. The course breaks it into 61 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 60 times: bars 8, 12, 16, 20, 24, 26 and 54 more.