242 bars of 3/4 -- not four -- at 165 BPM, 5:03 of playing on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34, 37 and 42, and 15 more places -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 fills to learn, played 83 times: bars 8, 10, 16, 22, 33, 35 and 77 more.
24 more fills are written out on the fills page.
242 bars across 18 sections: 100 keep time, 83 are fills, 16 are stops and 32 are silent. The longest unbroken stretch of time is bars 147-152.
165 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
242 bars, about 5:03 at the written tempo. The course breaks it into 81 exercises over 22 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 83 times: bars 8, 10, 16, 22, 33, 35 and 77 more.