58 bars of 4/4 at 145 BPM, about 1:36 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 51-58 -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 2 times: bars 33 and 50.
58 bars across 4 sections: 18 keep time, 2 are fills, 33 are stops and 3 are silent. The longest unbroken stretch of time is bars 51-58.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 51 out of 100; the rest of the number is everything around it.
58 bars, about 1:36 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 23 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
2 fills to learn, played 2 times: bars 33 and 50.