96 bars of 3/4 -- not four -- at 93 BPM, 3:06 of playing on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-19, 21-26 and 39-47, and 1 more place -- 34.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 11 times: bars 10, 20, 28, 38, 48, 55 and 5 more.
3 more fills are written out on the fills page.
96 bars across 9 sections: 66 keep time, 11 are fills, 4 are stops and 9 are silent. The longest unbroken stretch of time is bars 66-75.
93 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
96 bars, about 3:06 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 10, 20, 28, 38, 48, 55 and 5 more.