77 bars of 4/4 at 150 BPM, about 1:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 12 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 15 times: bars 25, 29, 30, 33, 35, 39 and 9 more.
4 more fills are written out on the fills page.
80 bars across 11 sections: 40 keep time, 15 are fills, 16 are stops and 2 are silent. The longest unbroken stretch of time is bars 64-71.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
77 bars, about 1:59 at the written tempo. The course breaks it into 36 exercises over 13 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 25, 29, 30, 33, 35, 39 and 9 more.