147 bars of 4/4 at 128 BPM, about 4:59 of playing, on crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15-17, 19-21 and 23-25, and 6 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 42 times: bars 6, 10, 14, 18, 22, 31 and 36 more.
8 more fills are written out on the fills page.
147 bars across 13 sections: 70 keep time, 42 are fills, 1 is a stop and 17 are silent. The longest unbroken stretch of time is bars 108-122.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
147 bars, about 4:59 at the written tempo. The course breaks it into 43 exercises over 15 sittings, about 24 minutes each.
crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 42 times: bars 6, 10, 14, 18, 22, 31 and 36 more.