97 bars of 4/4 at a walking 97 BPM, 4:00 of playing, on crash, hi-hat, snare, high tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 25-32, 49-51 and 53-55, and 2 more places -- 24.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 24, 33, 34, 48, 52, 56 and 6 more.
2 more fills are written out on the fills page.
97 bars across 11 sections: 57 keep time, 12 are fills, 2 are stops and 14 are silent. The longest unbroken stretch of time is bars 9-15.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
97 bars, about 4:00 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 24, 33, 34, 48, 52, 56 and 6 more.