98 bars of 4/4 at 135 BPM, about 2:53 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 12-16, 26-32 and 50-56, and 1 more place -- 26.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 15 times: bars 1, 9, 17, 25, 33, 41 and 9 more.
5 more fills are written out on the fills page.
98 bars across 11 sections: 65 keep time, 15 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 75-81.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
98 bars, about 2:53 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 1, 9, 17, 25, 33, 41 and 9 more.